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This has been the most ambitious project I’ve undertaken in this genre; I’ve used the software at my disposal more during this assignment than ever before. All of the effects and techniques that I hear below, I discovered while composing. I feel like I’ve learned a great deal about the possibilities of some of the software I own, but I know that there’s going to plenty more assignments to follow and stretch my knowledge further.

I spent most of the composition process building the individual sound objects — I made about twenty, and I had a difficult time piecing them together into a single composition. Read on


The source material for this assignment was any spoken passage (I recorded a short excerpt from “I Get a Hit“), from which only the unvoiced consonants were allowed. The only processing allowed for this project was cut, copy, paste, and changing the amplitude. With these processes, a somewhat surprising variety of effects are possible.

At first, I experimented mostly with pasting whole consonant sounds, and ordering them to make rhythmic motives. However, I quickly realized that, by taking a very small section of any given sound and pasting it repeatedly, it would make a buzzing tone with a perceptible pitch. Read on